Some say it's the songwriter's recording software. While Logic required another long investment in time, I immediately enjoyed its focus on creativity as its entry point. Pro Tools had been a mission to learn, and I was loathe to switch, but going months with unusable software while waiting for Avid to catch it up, while witnessing its near instant response to Windows' changes had me spit the dummy. I once played in bands (don't worry, you won't have heard of them) many years ago and after that became a Pro Tools user and switched after its repeated failure to keep up with Mac OS X changes. I will post the full, possibly several-part review on my macnz site when it's finished.

A couple of key features were missing and this was either glossed over or not taken into due consideration, and the trust of the pro video community was lost, and this was never going to be easy to win back.Īpple did, let it be noted, go on to fix pretty much all of Final Cut Pro X's defects via free updates, and I stand by my (at the time controversial) assessment that it's great software.īy comparison to all that, I reckon the audio pro community has every reason to happily stay loyal to Apple with the brand new Logic Pro X, which I have been busy evaluating for the last ten days.

There was Apple's terrible mistake with the introduction of Final Cut Pro X, in which the Inc introduced good, but radically different software as a fait accompli. Longer term users constantly worry (well, I do) that Apple might become so entranced with consumer markets that pro markets could be sidelined.

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